Saturday, December 26, 2015

Deathcode Society Interview

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?
Arnhwald : Nothing really original or outstanding I fear. We've given our first live performance some weeks ago, we are working on the promotion of our debut, and writing songs for the next album.

2.Recently you have released a new album, how would you describe the musical sound that is presented on the recording?
This album is the result of years of hard work. Our music is extreme in every meaning of the terms, fast, powerful, but also richly harmonized, with long and developed melodies, choral sections, counterpoint-written guitar riffs, etc. Many things happen at the same time. Imagine the wedding ceremony of Emperor and Strapping Young Lad in a nuclear powerplant, with a symphonic orchestra playing the march. Here is what we tried to achieve : more brutal, more intense, uncompromising, and smarter. Our music offers a new level of sophistication without being boring or too technical. Too many extreme metal bands just use the same chord progressions, and their music remind me a lot of Dany Elfman scores played with electric guitars and blast-beats. We are not influenced at all by Hoolywood scoring habits


3.Can you tell us a little bit more about the lyrical topics and subjects the band explores with the music?
It deals with evil, its promises, its ruses, its seductions.


4.What is the meaning and inspiration behind the name 'Deathcode Society'?

First, it's an hexasyllab, it sounds with solemnity, like our music. Then, it's both "straight in your face" and enigmatic. What does it mean precisely ? I don't know, maybe that we are just five guys trying to explore the darkest and deepest mysteries through music.

5.The music is heavily rooted in the symphonic black metal style, a few years ago the elitists attacked the genre and these days are now attacking post black metal instead, do you feel this genre will one day be as big as it was 10 or more years ago?
I don't know if it even got really big one day. Cradle of Filth and Dimmu Borgir have become big, but the remaining rest of the herd came back to nothing, or almost. To be honest, we don't care about "symphonic black metal". A couple of bands we like are labelled this way, or were, for sure, but the "symphonic" element never was the crucial factor. Were called "symphonic" every single band using cheesy synths layers to spice up basic guitar riffs. What makes a genre big or cool is not the genre itself, but the quality of the bands.
Our music is heavily rooted in the scandinavian black metal genre, it's true, but the symphonic element is not the center of our music, it is used as an arrangement. In bands like Septic Flesh or Dimmu Borgir, or even Carach Angren, the music is built around the orchestra. All our songs are built upon the guitars and the drums. The orchestra comes when everything, or almost everything, has been written. There is one exception I think, the song "NooS", in which I wrote a lot of symphonic and choral stuff before the guitars. I really suggest people to visit our webpage and to download the scores of our songs, they're available for free. They will see that the guitars and bass parts are the MAIN elements of our music.

6.How would you describe your stage performance?
Solemn and petrifying. At last this is what we wish.

7.Are you working on getting a tour for the new album?
We are working on getting a couple of good partnerships (bookers for example) to be able to play under the best conditions. Little by little, opportunities happen. We have a couple of gigs to perform this year. We also hope to play at several summer festivals.

8.The album was released on Osmose Productions, can you tell us a little bit more about the contract you have signed the label?
It's a basic licence contracr. Osmose productions is an established label and we like their attitude. We are free to do whatever we want. For now, the relationship is good.

9.On a worldwide level how has the feedback been to your music by fans of symphonic black metal?
The reactions are good, some of them are really amazing. We clearly saw that the best reviews were written by people who took the time to listen with attention. Ignorance is something you can't hide.

10.Where do you see the band heading into musically during the future?
I'm letting the music flow. But we will forge ahead. We are already working on the next album. We've found the title, the concept, everything - but the music ahahah.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Our roots are to be found in metal and late romantic/expressionnist orchestral or vocal music. Our influences are easy to guess, we talked about scandinavian black metal, Emperor, Kvist, Dissection immediately come to mind, among others, Abigor, Anorexia Nervosa (which are not scandinavian). We also could mention the good old classic bands from the 80s, we owe them much ! Today, I still listen to metal and I spend long hours trying to discover new bands - I'm a passionate. A couple of names can be dropped : Xanthochroid, Der Weg Einer Freiheit, Lychgate, Aenaon, Immanifest, Glaciation, Nordjevel ... I also listen to a lot of "classical" music. The old austrian master Anton Bruckner fascinates me.


12.What are some of your non musical interests?
Music is the center of my life, and all the things I enjoy tend to be connected with it.


13.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for your review and interview. Hope you'll enjoy "Eschatonizer" for a long, long time.

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